![]() Although Franz Ferdinand originally found their footing as an indie rock band, their talent and experience have been able to propel them into new ground. Experimental noises build over drums throughout the last two minutes before quietly fading - a surprising yet powerful finale to the album.Īlways Ascending is undeniably fun and even theatrical at times. Keyboard dances through the emotional five-minute ballad, and layers upon layers of vocals are intertwined with the twinkling notes. The final track on the album, “Slow Don’t Kill Me Slow,” is delicate yet strong and stubborn. The lyrics of both tracks tackle the idea of happiness in life and choices made in order to achieve happiness. However, the verses are soft and thought-provoking. Kapranos’ vocals are reminiscent of early 20th century crooners and echo powerfully across the ominous tune in “The Academy Award.” In “Lois Lane,” the pace quickens again, and synthesizer takes over the chorus. “The Academy Award” and “Lois Lane” are gentler songs with similar themes. Even with all of these features, the track is not overwhelming or cluttered.Īmong the many energetic dance hits, there are a few tracks that break up the steadfast pace of the album. The song goes through these waves, yet is constantly striking. Franz Ferdinand toys with vocal distortions and heavy drum, walking the lines between many musical genres. During the chorus, Kapranos shows off the impressive low end of his range, and the background vocals add another dimension. The pre-chorus presents musical themes of hip-hop, even as guitar thrashes throughout. “Huck and Jim” stands out among the other tracks on the album. Although exciting, this means some of the tracks can get lost in the crowd and ultimately be forgotten. Many other tracks such as “Lazy Boy” and “Feel the Love Go” offer the same energy and electricity. The final minute of the song has clear ‘80s influences as it is filled to the brim with electronic keys and synth, and Kapranos quietly chants in the background. The opening and titular track of the album, “Always Ascending,” introduces a synth-pop sound paired with Alex Kapranos’ energetic vocals. ![]() Disco influence infiltrated the group’s repertoire, and now, pop has done the same. The band’s debut album was pure indie rock, but as their sound evolved, they ventured further and further from the genre.
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